Government Accountability Institute President Peter Schweizer is sounding the alarm about how the entertainment industry—specifically reggaeton superstar Bad Bunny—has become a potent weapon in what he calls "civilizational warfare" against America.
Speaking on Breitbart News, Schweizer didn't mince words about the calculated nature of this cultural assault. "I've characterized immigration and mass migration as civilizational warfare," Schweizer explained. "Is the latest weapon deployed in this war a Bad Bunny?"
The timing couldn't be more suspicious. As President Trump pushes forward with his mass deportation agenda and works to secure our borders, the left appears to be doubling down on their efforts to normalize illegal immigration and undermine American sovereignty through pop culture influence.
Cultural Marxism Through Entertainment
Bad Bunny, whose real name is Benito Martínez, has amassed millions of followers who consume his Spanish-language content that often glorifies street culture and challenges traditional American values. His massive platform gives him unprecedented influence over young Americans, particularly in Hispanic communities.
"This isn't about racism or targeting any particular ethnicity," Schweizer clarified. "This is about recognizing how entertainment figures are being used to advance political agendas that fundamentally seek to transform America."
"When you have massive cultural influencers promoting messages that encourage illegal immigration and resistance to American law enforcement, you have to ask: who benefits from this chaos?"
The pattern is clear to anyone paying attention. While Trump fights to implement his America First agenda, globalist forces are using every tool at their disposal—including pop stars with massive social media followings—to undermine border security and promote open-borders ideology.
Patriots need to understand that this cultural warfare isn't accidental. It's a coordinated effort to use entertainment as a Trojan horse for radical leftist politics. The question every American should be asking: how many more "weapons" are hiding in plain sight in our entertainment industry?